An Endless Supply

Bitmapped photo of mushrooms in olive and brown, for the Grizedale Arts Valley Mushroom Foraging, Cultivation & Tincture School, 2020
Bitmapped photo of a man on top of a wooden structure using a power drill to screw two timbers, for the Grizedale Arts Building a New Rural: Architecture, Design & Making School, 2020
Bitmapped photo of and open hand holding some picked mushrooms, for the Grizedale Arts Valley Mushroom Foraging, Cultivation & Tincture School, 2020
Bitmapped photo of a group of people cladding a wooden structure, for the Grizedale Arts Building a New Rural: Architecture, Design & Making School, 2020
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Grizedale Arts, Building a New Rural: Architecture, Design & Making School and The Valley Mushroom Foraging, Cultivation & Tincture School, digital graphics (2020)

Front cover of A Crofters' Memorial publication. Title in serif font above a black and white image of a broken stone, printed in silver on black stock.
Inside spread of A Crofters' Memorial publication with front cover inner flap
Spread from A Crofters' Memorial publication, text on left page and black and white photos of three stone forms on right.
Spread from A Crofters' Memorial publication, text pages with black and white lithograph.
Spread from A Crofters' Memorial publication. Text page facing an image of the artist pouring liquid into a rock form.
Spread from A Crofters' Memorial publication.
Inside back cover spread from A Crofters' Memorial publication.
Inside back cover from A Crofters' Memorial publication with inner flap opened to show illustration listings.
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Henry Castle, A Crofters’ Memorial, Atlas Arts, 296 x 208 mm, 24pp (2020)

Front page of Grand Union's website, with illustrated initials, 'G' and 'U' by Sarah Taylor-Silverwood.
The exhibitions index page of Grand Union's website, showing exhibitions from 2020 and 2019. The top listing for Jamie Crewe's exhibition is hovered and a thumbnail image is shown.
The Jamie Crewe exhibition page on the Grand Union website. The main content is presented in a tabbed format, with the 'overview' tab selected. Other tabs shown are for 'text' and 'images'.
A screenshot of the studios page from the Grand Union website. A breadcrumb trail for the page is shown in the header, below is a full width photograph of a group of people standing, talking to a seated artist in a studio room.
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Grand Union website [grand-union.org.uk] (2020)

The materials index page for the CONTINUOUS Network website. Multicolour blocks link through to different texts and videos relating to the programme.
The network page of the CONTINUOUS Network website. An grayscale map of the British Isles with magenta markers for different venues and organisations.
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CONTINUOUS Network website [continuousdance.com] (2020)

The front page of the Climavore website. An all uppercase message reads 'Metabolising Climate Breakdown', in a font with variable stroke width, blue text on white background.
The front page of the Climavore Station sub-site. An all uppercase message reads 'How to eat as humans change climate', in a font with variable stroke width, white text on blue background.
A grid of photographs and titles of Climavore projects. The top left project is in hover state, signified by a duotone blue-green effect applied to the photo.
A screenshot of a Climavore project page. The project title is shown in all uppercase, large font, alongside meta information about the project and above images and documentation.
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Climavore website [climavore.org]. Typeface by Elias Hanzer (2020)

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Granby Workshop website [granbyworkshop.co.uk], design and build updates (2019). Identity by Fraser Muggeridge studio (2017–19)

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Alex Frost, On-the-Go, Recent Activity, 500 x 420 mm poster, folded 250 x 105 mm (2019)

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Cooking Sections, The Empire Remains Shop — Birmingham, Grand Union (2019)

A screenshot of the loading page for the Cement Fields website. A RGB green background with Cement Fields in black text. In each corner of the page in white text, the words New Art North Kent.

Cement Fields website [cementfields.org] (2019)

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Recent Activity Annual 2018, Bobo, 279 x 215 mm, 72 pp (2019) [buy]

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Cooking Sections, Offsetted, Arthur Ross Architecture Gallery, New York, photo by James Ewing (2019)

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Plastics, Bow Arts, 240 x 170mm, 48 pp (2019)

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Heather Phillipson, my name is letty eggsyrub, Art on the Underground, photography G.G Archard (2018)

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Timespan website [timespan.org.uk] (2018)

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Caroline Bergvall, Ragadawn, ATLAS Arts, 4 pp A4 brochure (2018)

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North Vol 3 and 4, University of Central Lancashire, 270 x 200 mm, 80 pp (2017–2018)

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The Empire Remains Shop, Cooking Sections, Columbia Books on Architecture and the City (2018) [buy]

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Assemble website [assemblestudio.co.uk] (2018–20)

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Split fountain, ad hoc wallpaper for Kathrin Böhm, Culture is a verb, Mansions of the Future. Photography Courtney Bartle-Sanderson (2018)

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Ruth Beale, The Good Society Sunday Lunch, The Bluecoat (2018)

The words I might be wrong in white text on a black background in a bold sans-serif font

Jumper, Keep it Complex (2017) [enquire]

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The Empire Remains Shop website [empireremains.net] (2016)

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Learn to Act, eds. Kathrin Böhm, Tom James and Doina Petrescu, pub. aaa (2017)

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Maria Zahle website [mariazahle.com] (2016)

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Cooking Sections, The Empire Remains Shop, exhibition graphics (2016)

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The Neo Naturists, Studio Voltaire (2016)

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Huw Lemmey, Dank and Rare, Grand Union (2016)

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Intoart website [intoart.org.uk] (2017)

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Recent Activity website [recentactivity.org.uk] (2017)

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Build Your Own: Tools for sharing, Crafts Council (2015)

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‘Public Potential (after Fritz Haeg & Ewen Bain)’, Turf Projects (2015)

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Céline Condorelli, The Company She Keeps, Book Works (2014)

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Inland website [inland.org] (2015)