An Endless Supply

The front page of the Climavore website. An all uppercase message reads 'Metabolising Climate Breakdown', in a font with variable stroke width, blue text on white background.
The front page of the Climavore Station sub-site. An all uppercase message reads 'How to eat as humans change climate', in a font with variable stroke width, white text on blue background.
A grid of photographs and titles of Climavore projects. The top left project is in hover state, signified by a duotone blue-green effect applied to the photo.
A screenshot of a Climavore project page. The project title is shown in all uppercase, large font, alongside meta information about the project and above images and documentation.
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Climavore website [climavore.org]. Typeface by Elias Hanzer (2020)

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Granby Workshop website [granbyworkshop.co.uk], design and build updates (2019). Identity by Fraser Muggeridge studio (2017–19)

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Alex Frost, On-the-Go, Recent Activity, 500 x 420 mm poster, folded 250 x 105 mm (2019)

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Cooking Sections, The Empire Remains Shop — Birmingham, Grand Union (2019)

A screenshot of the loading page for the Cement Fields website. A RGB green background with Cement Fields in black text. In each corner of the page in white text, the words New Art North Kent.

Cement Fields website [cementfields.org] (2019)

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Recent Activity Annual 2018, Bobo, 279 x 215 mm, 72 pp (2019) [buy]

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Cooking Sections, Offsetted, Arthur Ross Architecture Gallery, New York, photo by James Ewing (2019)

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Plastics, Bow Arts, 240 x 170mm, 48 pp (2019)

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Heather Phillipson, my name is letty eggsyrub, Art on the Underground, photography G.G Archard (2018)

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Timespan website [timespan.org.uk] (2018)

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Caroline Bergvall, Ragadawn, ATLAS Arts, 4 pp A4 brochure (2018)

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North Vol 3 and 4, University of Central Lancashire, 270 x 200 mm, 80 pp (2017–2018)

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The Empire Remains Shop, Cooking Sections, Columbia Books on Architecture and the City (2018) [buy]

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Assemble website [assemblestudio.co.uk] (2018–20)

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Split fountain, ad hoc wallpaper for Kathrin Böhm, Culture is a verb, Mansions of the Future. Photography Courtney Bartle-Sanderson (2018)

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Ruth Beale, The Good Society Sunday Lunch, The Bluecoat (2018)

The words I might be wrong in white text on a black background in a bold sans-serif font

Jumper, Keep it Complex (2017) [enquire]

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The Empire Remains Shop website [empireremains.net] (2016)

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Learn to Act, eds. Kathrin Böhm, Tom James and Doina Petrescu, pub. aaa (2017)

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Maria Zahle website [mariazahle.com] (2016)

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Cooking Sections, The Empire Remains Shop, exhibition graphics (2016)

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The Neo Naturists, Studio Voltaire (2016)

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Huw Lemmey, Dank and Rare, Grand Union (2016)

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Intoart website [intoart.org.uk] (2017)

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Recent Activity website [recentactivity.org.uk] (2017)

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Build Your Own: Tools for sharing, Crafts Council (2015)

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‘Public Potential (after Fritz Haeg & Ewen Bain)’, Turf Projects (2015)

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Céline Condorelli, The Company She Keeps, Book Works (2014)

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Inland website [inland.org] (2015)